{"id":5233,"date":"2025-08-20T15:09:21","date_gmt":"2025-08-20T15:09:21","guid":{"rendered":"https:\/\/theconcertwitness.com\/?p=5233"},"modified":"2025-08-20T15:15:13","modified_gmt":"2025-08-20T15:15:13","slug":"kurt-elling-wildflowers-vol-3-review","status":"publish","type":"post","link":"https:\/\/theconcertwitness.com\/index.php\/2025\/08\/20\/kurt-elling-wildflowers-vol-3-review\/","title":{"rendered":"Kurt Elling &#8211; Wildflowers, Vol. 3"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\"><strong><a href=\"https:\/\/kurtelling.com\">Kurt Elling<\/a> has long been recognized as one of jazz\u2019s leading vocal authorities. In recent years, however, he has also proven himself to be something of a vocal chameleon. Already in 2025 he released&nbsp;<em>SuperBlue: Guilty Pleasures, Vol. 2<\/em>, reworking familiar songs in bold new arrangements, and he is currently touring with the Yellowjackets, reinventing Weather Report classics. On&nbsp;August 22, he adds yet another project to his catalog:&nbsp;<em><a href=\"https:\/\/kurtelling.bandcamp.com\/album\/wildflowers-vol-3\">Wildflowers, Vol. 3<\/a><\/em>, a stripped-down exploration of the voice-and-piano duo, this time in collaboration with pianist&nbsp;<a href=\"http:\/\/www.christiansandsjazz.com\/home\">Christian Sands<\/a>.<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Recorded in just one day on June 18, the album brings together five stylistically diverse songs \u2014 from a 1920s German operetta to a Bee Gees pop hit \u2014 that might not naturally belong on the same record. Yet through the combined artistry of Elling and Sands, these pieces emerge fresh, imaginative, and cohesive.<\/p>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>Reinventing the Familiar<\/strong><\/h4>\n\n\n\n<p class=\"wp-block-paragraph\">The album opens with&nbsp;<em>Glow-Worm<\/em>, where Sands launches into a buoyant stride-style introduction before Elling layers his voice into four-part harmony, a direct nod to the Mills Brothers\u2019 1950s hit. It is the only track where Elling permits overdubs, but the result is so tight and swinging that the choice feels inevitable. At the other end of the record, the duo closes with&nbsp;<em>Emotion<\/em>&nbsp;by the Gibb brothers, transforming the pop ballad into something stripped-down and intimate. Elling\u2019s falsetto flights and Sands\u2019 rich, harmonically nuanced accompaniment reveal how even unlikely material can be reshaped into a modern jazz standard in the right hands.<\/p>\n\n\n\n<br>\n\n\n\n<div class=\"wp-block-montoya-gutenberg-container content-row light-section normal\" data-bgcolor=\"#0c0d0d\" style=\"text-align:left\"><div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"1024\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" src=\"https:\/\/theconcertwitness.com\/wp-content\/uploads\/2025\/08\/kurtelling-1024x1024.avif\" alt=\"\" class=\"wp-image-5237\" srcset=\"https:\/\/theconcertwitness.com\/wp-content\/uploads\/2025\/08\/kurtelling-1024x1024.avif 1024w, https:\/\/theconcertwitness.com\/wp-content\/uploads\/2025\/08\/kurtelling-300x300.avif 300w, https:\/\/theconcertwitness.com\/wp-content\/uploads\/2025\/08\/kurtelling-150x150.avif 150w, https:\/\/theconcertwitness.com\/wp-content\/uploads\/2025\/08\/kurtelling-768x768.avif 768w, https:\/\/theconcertwitness.com\/wp-content\/uploads\/2025\/08\/kurtelling-1536x1536.avif 1536w, https:\/\/theconcertwitness.com\/wp-content\/uploads\/2025\/08\/kurtelling-2048x2048.avif 2048w\" \/><\/figure>\n<\/div><\/div>\n\n\n\n<br>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>Social Commentary in Song<\/strong><\/h4>\n\n\n\n<p class=\"wp-block-paragraph\">Elling also uses the duo format to highlight lyrics with weight. On Sands\u2019&nbsp;<em>Song for the Rainbow People<\/em>, to which he contributed words, Elling leans into a spoken-word preacher\u2019s cadence. Joined by trumpeter&nbsp;<strong>Marquis Hill<\/strong>, the performance takes on themes of environmental and political crisis, with lines such as:<br><em>\u201cNo matter what they say, we are not through yet, in all our souls caught in a net. We have another day, to try to make it right.\u201d<\/em><br>Despite the heavy subject matter, the groove radiates optimism, sustained by Sands\u2019 rhythmic pulse and Hill\u2019s muted trumpet interjections. The result is both socially pointed and musically uplifting.<\/p>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>A More Intimate Voice<\/strong><\/h4>\n\n\n\n<p class=\"wp-block-paragraph\">Another side of Elling emerges in the ballad&nbsp;<em>My Son<\/em>, from Guillermo del Toro\u2019s stop-motion&nbsp;<em>Pinocchio<\/em>. His breathy, delicate tone conveys vulnerability at the song\u2019s opening, and his control across the bridge shows his ability to reshape material into something wholly personal. Sands provides a restrained, almost meditative backdrop, never crowding the vocal line. The piece becomes a study in emotional subtlety and balance between voice and piano.<\/p>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>Playful Jazz Spirit<\/strong><\/h4>\n\n\n\n<p class=\"wp-block-paragraph\">The duo also celebrates their jazz lineage with Thelonious Monk\u2019s&nbsp;<em>Blue Monk<\/em>. Elling scats the melody with his signature articulation, while Sands lays down a relaxed boogie-woogie groove. Their joy in collaboration is unmistakable \u2014 at one point, Elling jokes,&nbsp;<em>\u201cThis is the happiest this piano was today.\u201d<\/em>&nbsp;It is this spirit of play, interaction, and spontaneity that runs through the entire record, making the duo format sound endlessly alive rather than limited.<\/p>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>Conclusion<\/strong><\/h4>\n\n\n\n<p class=\"wp-block-paragraph\">On&nbsp;<em>Wildflowers, Vol. 3<\/em>, Kurt Elling proves once again that he is not only a remarkable vocalist but also a daring arranger and producer. The stripped-down format with Christian Sands shines a bright light on every nuance of his artistry. Sands proves an ideal partner, equally sensitive and inventive, always in sync with Elling\u2019s phrasing and direction.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The result is an album that makes bold repertoire choices yet binds them into a coherent artistic statement. It invites repeated listening and leaves one hoping the duo will take this program to the stage. Until then, audiences can immerse themselves in&nbsp;<em>Wildflowers, Vol. 3<\/em>, released&nbsp;<strong>August 22 on Elling\u2019s Big Shoulders Records<\/strong>.<\/p>\n\n\n\n<br>\n<div style=\"text-align: center; margin: 2rem 0;\">\n  <a href=\"https:\/\/theconcertwitness.com\/index.php\/category\/new-music\/\" \n     style=\"background-color: #0C0D0D; color: white; padding: 12px 30px; text-decoration: none; \n            border-radius: 50px; font-weight: bold; font-size: 1rem; display: inline-block;\n            border: 2px solid white;\">\n    Read More Album Reviews\n  <\/a>\n<\/div>\n<br>\n\n\n\n<div class=\"wp-block-montoya-gutenberg-container content-row light-section normal\" data-bgcolor=\"#0c0d0d\" style=\"text-align:left\">\n<div class=\"wp-block-montoya-gutenberg-clipped-image clipped-image-wrapper\"><div class=\"clipped-image-pin\"><div class=\"clipped-image\"><img decoding=\"async\" src=\"https:\/\/theconcertwitness.com\/wp-content\/uploads\/2025\/08\/KurtElling_6.2.25_by_ElliotMandel-REV-4-scaled.avif\" alt=\"\"\/><div class=\"clipped-image-gradient\"><\/div><\/div><\/div><div class=\"clipped-image-content content-full-width\"><\/div><\/div>\n<\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Kurt Elling has long been recognized as one of jazz\u2019s leading vocal authorities. In recent years, however, he has also proven himself to be something of a vocal chameleon. Already in 2025 he released&nbsp;SuperBlue: Guilty Pleasures, Vol. 2, reworking familiar songs in bold new arrangements, and he is currently touring with the Yellowjackets, reinventing Weather [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":5234,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[29],"tags":[],"class_list":["post-5233","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-new-music"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v25.5 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Kurt Elling Wildflowers \u2013 Vol. 3 Album Review The Concert Witness<\/title>\n<meta name=\"description\" content=\"Kurt Elling and Christian Sands shine on Wildflowers Vol. 3. A stripped-down duo album full of reinvention and artistry. 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