{"id":5180,"date":"2025-08-11T15:03:01","date_gmt":"2025-08-11T15:03:01","guid":{"rendered":"https:\/\/theconcertwitness.com\/?p=5180"},"modified":"2025-08-18T16:35:17","modified_gmt":"2025-08-18T16:35:17","slug":"virtuosity-and-gratitude-rachel-z-omar-hakim-trio-live-in-nova-gorica","status":"publish","type":"post","link":"https:\/\/theconcertwitness.com\/index.php\/2025\/08\/11\/virtuosity-and-gratitude-rachel-z-omar-hakim-trio-live-in-nova-gorica\/","title":{"rendered":"Virtuosity and Gratitude: Rachel Z &amp; Omar Hakim Trio Live in Nova Gorica"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\"><em>Grad Kromberk, 8 August 2025<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>On the last day of the 2025 edition of the&nbsp;<a href=\"https:\/\/www.glasbesveta.si\">Glasba sveta \u2013 Musica del mondo<\/a>&nbsp;festival, held in the beautiful atmosphere of Grad Kromberk in Nova Gorica, <a href=\"https:\/\/www.rachelz.com\">Rachel Z<\/a> &amp; <a href=\"https:\/\/en.wikipedia.org\/wiki\/Omar_Hakim\">Omar Hakim<\/a> with their trio created a lyrical soundscape that resonated with the place and audience. It was the last concert of their tour \u2014 an evening filled with joy, compassion, gratitude, and virtuosity.<\/strong><\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Opening with Peace and Playfulness<\/strong><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">After a brief welcome by Rachel Z, they started their set with&nbsp;<em>Save My Soul<\/em>&nbsp;from their 2024 release&nbsp;<em>Sensual<\/em>, which she described as \u201ca song for world peace.\u201d From the first notes, we could feel Rachel Z&#8217;s lyrical piano touch \u2014 a constant presence throughout the evening. Omar Hakim&#8217;s drumming remains something special: his control of the cymbals, with a crisp yet pleasant sound, blended perfectly with the piano, while Jonathan Toscano on double bass provided a firm foundation, creating a floating beat.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Toscano took the first solo of the night with a soulful touch, followed by a creative piano solo from Rachel Z, full of motivic ideas and playful improvisation.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">They continued with Rachel Z\u2019s composition&nbsp;<em>Artemisia<\/em>, a tribute to 17th-century painter Artemisia Gentileschi. Its faster 6\/4 beat floated effortlessly as she delivered another virtuosic solo over a one-chord riff. Hakim closed the piece with his first drum solo of the evening, a display of dynamic control and touch, from fast fills to slow cymbal swells \u2014 always fully in command of the music.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Next was&nbsp;<em>Humor and Nudity<\/em>, which Rachel Z jokingly described as \u201ceverything a couple needs for a good relationship.\u201d Opening with a reggae beat and shifting to a bridge in 5\/4, it once again showed her gift for blending rhythmic solidity in the left hand with lyrical phrasing in the right, supported by the rock-solid yet responsive rhythm section of Toscano and Hakim.<\/p>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"576\" height=\"1024\" sizes=\"auto, (max-width: 576px) 100vw, 576px\" src=\"https:\/\/theconcertwitness.com\/wp-content\/uploads\/2025\/08\/DSCF0786-576x1024.avif\" alt=\"\" class=\"wp-image-5200\" srcset=\"https:\/\/theconcertwitness.com\/wp-content\/uploads\/2025\/08\/DSCF0786-576x1024.avif 576w, https:\/\/theconcertwitness.com\/wp-content\/uploads\/2025\/08\/DSCF0786-169x300.avif 169w, https:\/\/theconcertwitness.com\/wp-content\/uploads\/2025\/08\/DSCF0786-768x1365.avif 768w, https:\/\/theconcertwitness.com\/wp-content\/uploads\/2025\/08\/DSCF0786-864x1536.avif 864w, https:\/\/theconcertwitness.com\/wp-content\/uploads\/2025\/08\/DSCF0786-1152x2048.avif 1152w, https:\/\/theconcertwitness.com\/wp-content\/uploads\/2025\/08\/DSCF0786-scaled.avif 1440w\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"576\" height=\"1024\" sizes=\"auto, (max-width: 576px) 100vw, 576px\" src=\"https:\/\/theconcertwitness.com\/wp-content\/uploads\/2025\/08\/DSCF0707-576x1024.avif\" alt=\"\" class=\"wp-image-5201\" srcset=\"https:\/\/theconcertwitness.com\/wp-content\/uploads\/2025\/08\/DSCF0707-576x1024.avif 576w, https:\/\/theconcertwitness.com\/wp-content\/uploads\/2025\/08\/DSCF0707-169x300.avif 169w, https:\/\/theconcertwitness.com\/wp-content\/uploads\/2025\/08\/DSCF0707-768x1365.avif 768w, https:\/\/theconcertwitness.com\/wp-content\/uploads\/2025\/08\/DSCF0707-864x1536.avif 864w, https:\/\/theconcertwitness.com\/wp-content\/uploads\/2025\/08\/DSCF0707-1152x2048.avif 1152w, https:\/\/theconcertwitness.com\/wp-content\/uploads\/2025\/08\/DSCF0707-scaled.avif 1440w\" \/><\/figure>\n<\/div>\n<\/div>\n\n\n\n<br>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Tributes to Miles, Shorter, and Coltrane<\/strong><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">The trio then moved into a segment dedicated to their mentors. Hakim played with&nbsp;<strong>Miles Davis<\/strong>&nbsp;in the 1980s and recorded three albums with&nbsp;<strong>Wayne Shorter<\/strong>&nbsp;in&nbsp;<em>Weather Report<\/em>, while Rachel Z worked with Shorter in the 1990s, notably on his Grammy-winning album&nbsp;<em>High Life<\/em>.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">They began with a medley of&nbsp;<em>Nefertiti<\/em>&nbsp;and&nbsp;<em>E.S.P.<\/em>, a tribute to the second great Miles Davis Quintet.&nbsp;<em>E.S.P.<\/em>&nbsp;swung hard, with Toscano and Rachel Z both delivering burning solos, before Hakim closed with a fabulous 7\/4 drum solo.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">A tribute to&nbsp;<strong>John Coltrane<\/strong>&nbsp;followed \u2014 an inventive take on&nbsp;<em>My Favorite Things<\/em>&nbsp;that segued into the unmistakable riff of&nbsp;<em>A Love Supreme<\/em>. They ended the homage with Shorter\u2019s&nbsp;<em>Three Marias<\/em>, handled with precision and fluid ensemble interplay.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Originals that Showcase Chemistry<\/strong><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">The final section of the main set returned to original compositions.&nbsp;<em>Sensual<\/em>, the title track from their 2024 album, was written by Rachel Z for Hakim. Toscano stated the melody before offering a long, soulful bass solo. Rachel Z\u2019s piano solo started with reflective phrasing before building to faster, more complex lines, the rhythm section holding the groove while subtly pushing the momentum.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">One of the night\u2019s highlights was&nbsp;<em>Bodhisattva<\/em>. Built on a mantra-like rhythmic pattern with pop-inflected chords and a subtle four-on-the-floor beat, it radiated a sense of joy. Rachel Z could be seen tapping the rhythmic pulse to her heart \u2014 a fitting reflection of how the music felt: flowing freely between musicians and audience.<\/p>\n\n\n\n<div class=\"wp-block-montoya-gutenberg-container content-row light-section normal\" data-bgcolor=\"#0c0d0d\" style=\"text-align:left\">\n<div class=\"wp-block-montoya-gutenberg-slider clapat-slider-wrapper content-slider light-cursor autocenter\" data-delay=\"0\"><div class=\"clapat-slider\"><div class=\"clapat-slider-viewport\">\n<div class=\"clapat-slide\"><div class=\"slide-img\"><img decoding=\"async\" src=\"https:\/\/theconcertwitness.com\/wp-content\/uploads\/2025\/08\/DSCF0261-scaled.avif\" alt=\"\" \/><\/div><\/div>\n\n\n\n<div class=\"clapat-slide\"><div class=\"slide-img\"><img decoding=\"async\" src=\"https:\/\/theconcertwitness.com\/wp-content\/uploads\/2025\/08\/DSCF0235-scaled.avif\" alt=\"\" \/><\/div><\/div>\n\n\n\n<div class=\"clapat-slide\"><div class=\"slide-img\"><img decoding=\"async\" src=\"https:\/\/theconcertwitness.com\/wp-content\/uploads\/2025\/08\/DSCF0363-2-scaled.avif\" alt=\"\" \/><\/div><\/div>\n\n\n\n<div class=\"clapat-slide\"><div class=\"slide-img\"><img decoding=\"async\" src=\"https:\/\/theconcertwitness.com\/wp-content\/uploads\/2025\/08\/DSCF0641-2-scaled.avif\" alt=\"\" \/><\/div><\/div>\n\n\n\n<div class=\"clapat-slide\"><div class=\"slide-img\"><img decoding=\"async\" src=\"https:\/\/theconcertwitness.com\/wp-content\/uploads\/2025\/08\/DSCF0283-scaled.avif\" alt=\"\" \/><\/div><\/div>\n\n\n\n<div class=\"clapat-slide\"><div class=\"slide-img\"><img decoding=\"async\" src=\"https:\/\/theconcertwitness.com\/wp-content\/uploads\/2025\/08\/DSCF0298-scaled.avif\" alt=\"\" \/><\/div><\/div>\n\n\n\n<div class=\"clapat-slide\"><div class=\"slide-img\"><img decoding=\"async\" src=\"https:\/\/theconcertwitness.com\/wp-content\/uploads\/2025\/08\/DSCF0542-scaled.avif\" alt=\"\" \/><\/div><\/div>\n<\/div><\/div><div class=\"clapat-controls\"><div class=\"clapat-button-next slider-button-next\"><\/div><div class=\"clapat-button-prev slider-button-prev\"><\/div><div class=\"clapat-pagination\"><\/div><\/div><\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-montoya-gutenberg-container content-row light-section normal\" data-bgcolor=\"#0c0d0d\" style=\"text-align:left\">\n<div class=\"reveal-gallery\"><div class=\"reveal-img\"><img decoding=\"async\" src=\"https:\/\/theconcertwitness.com\/wp-content\/uploads\/2025\/08\/DSCF0363-2-scaled.avif\" alt=\"\" \/><\/div><div class=\"reveal-img-fixed\"><img decoding=\"async\" src=\"https:\/\/theconcertwitness.com\/wp-content\/uploads\/2025\/08\/DSCF0641-2-scaled.avif\" alt=\"\" \/><\/div><div class=\"reveal-img\"><img decoding=\"async\" src=\"https:\/\/theconcertwitness.com\/wp-content\/uploads\/2025\/08\/DSCF0261-scaled.avif\" alt=\"\" \/><\/div><\/div>\n<\/div>\n\n\n\n<br>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Encore with a Rock Twist<\/strong><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">The main set closed with Toscano\u2019s&nbsp;<em>Quadricolor<\/em>, its lyrical bass theme mirrored by piano, and the ballad&nbsp;<em>Forgive Me<\/em>from&nbsp;<em>Sensual<\/em>, which brought the energy down to a quiet, reflective close.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">For the encore, the trio unveiled an inventive re-arrangement of Foo Fighters\u2019&nbsp;<em>These Days<\/em>, alternating between 4\/4 and 7\/8. Toscano contributed another lyrical solo, Rachel Z followed with an imaginative, free-flowing solo over the song\u2019s harmonic framework, and Hakim capped the night with a final, brilliantly constructed drum solo.<\/p>\n\n\n\n<div class=\"wp-block-montoya-gutenberg-container content-row light-section normal\" data-bgcolor=\"#0c0d0d\" style=\"text-align:center\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" src=\"https:\/\/theconcertwitness.com\/wp-content\/uploads\/2025\/08\/DSCF0582-3-1024x576.avif\" alt=\"\" class=\"wp-image-5185\" srcset=\"https:\/\/theconcertwitness.com\/wp-content\/uploads\/2025\/08\/DSCF0582-3-1024x576.avif 1024w, https:\/\/theconcertwitness.com\/wp-content\/uploads\/2025\/08\/DSCF0582-3-300x169.avif 300w, https:\/\/theconcertwitness.com\/wp-content\/uploads\/2025\/08\/DSCF0582-3-768x432.avif 768w, https:\/\/theconcertwitness.com\/wp-content\/uploads\/2025\/08\/DSCF0582-3-1536x864.avif 1536w, https:\/\/theconcertwitness.com\/wp-content\/uploads\/2025\/08\/DSCF0582-3-2048x1152.avif 2048w\" \/><\/figure>\n<\/div>\n\n\n\n<p class=\"wp-block-paragraph\">Rachel Z &amp; Omar Hakim Trio showed once again that live music delivered with joy and gratitude creates the kind of special moments that define great concerts. Their virtuosity \u2014 and deep connections to jazz legends \u2014 never got in the way of the music itself, instead serving it with taste and sincerity. The beautifully lit Grad Kromberk provided the perfect setting for this inspired tour finale. <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">But the last day of the festival did not finish there \u2014 after the trio\u2019s performance, another concert began on the second stage. The&nbsp;<strong>Teo Collori Quartet<\/strong>, a new band led by acclaimed Slovenian guitarist&nbsp;<strong><a href=\"https:\/\/momentocigano.com\">Teo Collori<\/a><\/strong>, presented a set of fresh original music while the festival stalls offered local wines and cuisine. It was a fitting close, celebrating not only world-class artistry but also community, connection, and the shared joy of gathering.<\/p>\n\n\n\n<br>\n<div style=\"text-align: center; margin: 2rem 0;\">\n  <a href=\"https:\/\/theconcertwitness.com\/index.php\/category\/concerts\/\" \n     style=\"background-color: #0C0D0D; color: white; padding: 12px 30px; text-decoration: none; \n            border-radius: 50px; font-weight: bold; font-size: 1rem; display: inline-block;\n            border: 2px solid white;\">\n    Read More Concert Reviews\n  <\/a>\n<\/div>\n<br>\n\n\n\n<div class=\"wp-block-montoya-gutenberg-container content-row light-section normal\" data-bgcolor=\"#0c0d0d\" style=\"text-align:left\">\n<div class=\"wp-block-montoya-gutenberg-clipped-image clipped-image-wrapper\"><div class=\"clipped-image-pin\"><div class=\"clipped-image\"><img decoding=\"async\" src=\"https:\/\/theconcertwitness.com\/wp-content\/uploads\/2025\/08\/DSCF0235-scaled.avif\" alt=\"\"\/><div class=\"clipped-image-gradient\"><\/div><\/div><\/div><div class=\"clipped-image-content content-full-width\"><\/div><\/div>\n<\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Grad Kromberk, 8 August 2025 On the last day of the 2025 edition of the&nbsp;Glasba sveta \u2013 Musica del mondo&nbsp;festival, held in the beautiful atmosphere of Grad Kromberk in Nova Gorica, Rachel Z &amp; Omar Hakim with their trio created a lyrical soundscape that resonated with the place and audience. It was the last concert [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":5196,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[30,22],"tags":[24,46],"class_list":["post-5180","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-concerts","category-jazz","tag-jazz","tag-live-jazz"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v25.5 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Rachel Z &amp; Omar Hakim Trio Shine at Grad Kromberk 2025<\/title>\n<meta name=\"description\" content=\"Rachel Z &amp; Omar Hakim Trio closed Grad Kromberk Jazz Festival 2025 with virtuosity, joy, and community spirit in a memorable tour finale.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/theconcertwitness.com\/index.php\/2025\/08\/11\/virtuosity-and-gratitude-rachel-z-omar-hakim-trio-live-in-nova-gorica\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Virtuosity and Gratitude: Rachel Z &amp; Omar Hakim Trio Live in Nova Gorica\" \/>\n<meta property=\"og:description\" content=\"On the last day of the 2025 edition of the\u00a0Glasba sveta \u2013 Musica del mondo\u00a0festival, held in the beautiful atmosphere of Grad Kromberk in Nova Gorica, Rachel Z &amp; Omar Hakim with their trio created a lyrical soundscape that resonated with the place and audience. 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