{"id":4519,"date":"2025-06-04T13:21:44","date_gmt":"2025-06-04T13:21:44","guid":{"rendered":"https:\/\/theconcertwitness.com\/?p=4519"},"modified":"2025-06-22T09:34:33","modified_gmt":"2025-06-22T09:34:33","slug":"anita-donndorffs-thirsty-soul","status":"publish","type":"post","link":"https:\/\/theconcertwitness.com\/index.php\/2025\/06\/04\/anita-donndorffs-thirsty-soul\/","title":{"rendered":"Anita Donndorff\u2019s Thirsty Soul"},"content":{"rendered":"\n<h2 class=\"wp-block-heading\">Transcontinental Jazz Odyssey<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Release Date: June 20, 2025<br>Label: Fresh Sound New Talent Records<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>We had the privilege of diving into Thirsty Soul before its official release, and it\u2019s safe to say: this is<\/strong> <strong>a defining moment in Anita Donndorff\u2019s evolving journey. The Argentina-born, New York-based Jazz vocalist brings together worlds with elegance, edge, and emotional depth on this richly layered album. Set for release on June 20 via Fresh Sound New Talent Records, Thirsty Soul is not an introduction\u2014it\u2019s a transcontinental jazz postcard from an artist who has already found her voice, and is now expanding her reach.<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><br>Recorded over two years in two cities, the album unfolds in two distinct yet complementary halves. Seven of the nine tracks were captured live in Buenos Aires at the iconic Estudios ION in 2022, featuring a ten-piece ensemble made up of some of Argentina\u2019s finest players. The remaining two\u2014&#8221;Charade&#8221; and &#8220;Ana Luiza&#8221;\u2014were recorded in New York in 2024 as intimate duets with jazz guitar icon Peter Bernstein.<\/p>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:5px\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<div class=\"wp-block-montoya-gutenberg-slider clapat-slider-wrapper content-slider light-cursor autocenter\" data-delay=\"0\"><div class=\"clapat-slider\"><div class=\"clapat-slider-viewport\">\n<div class=\"clapat-slide\"><div class=\"slide-img\"><img decoding=\"async\" src=\"https:\/\/theconcertwitness.com\/wp-content\/uploads\/2025\/06\/No-Moon-at-All-scaled.jpeg\" alt=\"\" \/><\/div><\/div>\n\n\n\n<div class=\"clapat-slide\"><div class=\"slide-img\"><img decoding=\"async\" src=\"https:\/\/theconcertwitness.com\/wp-content\/uploads\/2025\/06\/Anita-portada.jpeg\" alt=\"\" \/><\/div><\/div>\n\n\n\n<div class=\"clapat-slide\"><div class=\"slide-img\"><img decoding=\"async\" src=\"https:\/\/theconcertwitness.com\/wp-content\/uploads\/2025\/06\/FSNT-707-single-Luiza-scaled.jpg\" alt=\"\" \/><\/div><\/div>\n<\/div><\/div><div class=\"clapat-controls\"><div class=\"clapat-button-next slider-button-next\"><\/div><div class=\"clapat-button-prev slider-button-prev\"><\/div><div class=\"clapat-pagination\"><\/div><\/div><\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:5px\"><\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-montoya-gutenberg-container content-row light-section normal\" data-bgcolor=\"#0c0d0d\" style=\"text-align:left\"><\/div>\n\n\n\n<div class=\"wp-block-montoya-gutenberg-container content-row light-section normal\" data-bgcolor=\"#0c0d0d\" style=\"text-align:left\">\n<div class=\"reveal-gallery\"><div class=\"reveal-img\"><img decoding=\"async\" src=\"https:\/\/theconcertwitness.com\/wp-content\/uploads\/2025\/06\/No-Moon-at-All-scaled.jpeg\" alt=\"No Moon at All\" \/><\/div><div class=\"reveal-img-fixed\"><img decoding=\"async\" src=\"https:\/\/theconcertwitness.com\/wp-content\/uploads\/2025\/06\/Anita-portada.jpeg\" alt=\"Thirsty Soul\" \/><\/div><div class=\"reveal-img\"><img decoding=\"async\" src=\"https:\/\/theconcertwitness.com\/wp-content\/uploads\/2025\/06\/FSNT-707-single-Luiza-scaled.jpg\" alt=\"Ana Luiza\" \/><\/div><\/div>\n<\/div>\n\n\n\n<h4 class=\"wp-block-heading\">Opening with Intimacy and Flair<\/h4>\n\n\n\n<p class=\"wp-block-paragraph\">The album opens with \u201cNo Moon at All,\u201d a rarely heard full version that includes the original verse. Donndorff\u2019s delivery is breezy yet deliberate, her phrasing gliding effortlessly over a Latin-infused arrangement. Paul Sikivie\u2019s bass anchors the groove with warmth and subtle propulsion, setting the tone for what\u2019s to come.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><br>\u201cCharade,\u201d the second track and one of the album\u2019s clear highlights, is stripped-down, spacious, and spellbinding. Donndorff\u2019s transparent vocal tone pairs exquisitely with Bernstein\u2019s lush harmonic language. His guitar voicings provide a rich canvas for her storytelling, turning this Mancini standard into a film-noir vignette of its own.<\/p>\n\n\n\n<div class=\"wp-block-montoya-gutenberg-container content-row light-section normal\" data-bgcolor=\"#0c0d0d\" style=\"text-align:center\">\n<p><iframe loading=\"lazy\" id=\"embedPlayer\" style=\"border: 0px; border-radius: 12px; width: 100%; height: 280px; max-width: 660px;\" title=\"Media player\" src=\"https:\/\/embed.music.apple.com\/si\/playlist\/anita-donndorff-thirsty-soul\/pl.u-pMylN3viWy1YWN?itscg=30200&amp;itsct=music_box_player&amp;ls=1&amp;app=music&amp;mttnsubad=1694171681&amp;theme=dark\" width=\"100%\" height=\"280\" sandbox=\"allow-forms allow-popups allow-same-origin allow-scripts allow-top-navigation-by-user-activation\"><\/iframe><\/p>\n<\/div>\n\n\n\n<h4 class=\"wp-block-heading\">Homages and Reinventions<\/h4>\n\n\n\n<p class=\"wp-block-paragraph\">The band swings hard on \u201cOld Country,\u201d a tune rooted in the hard bop era and famously interpreted by Nancy Wilson and Cannonball Adderley. Donndorff delivers the lyric with clarity and rhythmic poise, while the arrangement stands out for its powerful tutti horn section that adds punch and drive. Pianist Dante Picca follows with a technically impressive solo\u2014fluid, articulate, and full of forward motion\u2014showcasing his command of the instrument and deep feel for the hard bop language.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><br>A standout moment arrives with \u201cDon\u2019t Explain.\u201d This rendition doesn\u2019t try to reinvent the wheel\u2014it pays homage. The vintage arrangement is tastefully nostalgic, complete with a moody horn section and an introspective bass solo from Sikivie that leads us beautifully back into the bridge. Another Nancy Wilson classic, \u201cThe Great City,\u201d gets a minimalist, high-energy treatment that highlights the power of space. The track opens with just vocals and congas\u2014Carolina Cohen&#8217;s swing-inflected touch is one of the album\u2019s secret weapons\u2014before giving way to a robust tenor saxophone solo by Guido Baucia.<\/p>\n\n\n\n<h4 class=\"wp-block-heading\">The Original: \u201cThirsty Soul\u201d and Anita\u2019s Voice<\/h4>\n\n\n\n<p class=\"wp-block-paragraph\">The title track, \u201cThirsty Soul,\u201d is the only original composition and features fellow Argentine vocalist Sol Liebeskind. It\u2019s a smoky, gospel-tinged blues style tune, introduced a cappella with layered vocal harmonies that feel both sacred and streetwise. Juan Canosa\u2019s trombone solo and Ramiro Penovi\u2019s blues guitar lines flesh out the tune\u2019s soulful landscape. Donndorff and Liebeskind sound effortless together, their voices dancing in dialogue rather than competition.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><br>\u201cLonely House,\u201d from Kurt Weill\u2019s Street Scene, is theatrical in the best sense\u2014melancholic, dramatic, but never overwrought. Sergio Wagner\u2019s trumpet fills and Penovi\u2019s minimalist guitar comping echo and amplifying the song\u2019s theme of urban solitude, a fitting tribute to Weill\u2019s cabaret-rooted sensibility.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Cole Porter\u2019s \u201cYou\u2019d Be So Nice to Come Home To\u201d is breezy and uptempo, but Donndorff never sacrifices clarity for speed. The arrangement gives her space to breathe and phrase naturally. The ensemble leans into the groove without rushing, making this a fun yet sophisticated palette-cleanser before the final track.<\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Closing in Duet: A Moment of Intimate Magic<\/h4>\n\n\n\n<p class=\"wp-block-paragraph\">And what a closer it is. \u201cAna Luiza,\u201d a haunting Jobim ballad, is the second Bernstein duet and perhaps the emotional heart of the album. Sung in Portuguese, Donndorff\u2019s voice is as transparent as a morning breeze, complemented by Bernstein\u2019s intricate yet understated guitar work. The result is pure intimacy\u2014nothing forced, nothing wasted.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><br>With Thirsty Soul, Donndorff reaffirms her place in the global jazz landscape. Fluent in multiple musical languages\u2014jazz, tango, bolero, swing\u2014and equally at home in English, Spanish, and Portuguese, she crafts an album that\u2019s both deeply personal and musically expansive. As Donndorff reflects, \u201cThis album captures a moment\u2014my journey from Buenos Aires to New York, and the voices that shaped me.\u201d She\u2019s already hinted at a follow-up project, one that will feature more of her original compositions. \u201cI\u2019m already writing for my next album\u2014mostly jazz, but not exclusively,\u201d she shares. \u201cSome pieces are collaborations with composers I admire, and that excites me.\u201d<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><br>For an artist who has already proven her depth and range, Thirsty Soul feels like a bridge between cultures, between genres, and between chapters. This is an album that doesn\u2019t just cross borders\u2014it dissolves them.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><br>Thirsty Soul will be available on all major streaming platforms and physical formats starting June 20, 2025.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Want to see more of the muic we recommend? <a href=\"https:\/\/theconcertwitness.com\/index.php\/category\/new-music\/\">Dive deeper here!<\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Transcontinental Jazz Odyssey Release Date: June 20, 2025Label: Fresh Sound New Talent Records We had the privilege of diving into Thirsty Soul before its official release, and it\u2019s safe to say: this is a defining moment in Anita Donndorff\u2019s evolving journey. The Argentina-born, New York-based Jazz vocalist brings together worlds with elegance, edge, and emotional [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":4542,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[29],"tags":[],"class_list":["post-4519","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-new-music"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v25.5 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Anita Donndorff\u2019s Thirsty Soul - The Concert Witness<\/title>\n<meta name=\"description\" content=\"Discover Thirsty Soul, Anita Donndorff\u2019s bold new jazz album\u2014out June 20 via Fresh Sound New Talent. A transcontinental masterpiece blending elegance, edge, and emotional depth. 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